Since Tony asked, here’s a look at the newer books I’m actually digging these days. It may be a sign of the end times, but I’m actually finding more books that I really like in recent months than I have in the past decade, and many of them are the rebooted DC titles. Given the amount of curmudgeonly bitching I’ve done in the past regarding the quality of the books I had been finding, I figure it’s only fair I give credit where credit’s due when I’m actually feeling enthusiastic about many of the titles I’m finding on the shelves of the comic store again.
Starting with the titles from the DC reboot, since we discussed them at length before they were ever released but only Tony has weighed in with reviews of three series’ so far: I picked up somewhere around twenty of the first issues, and only found a couple of them to be duds. My favorites among them:
OMAC: a big, loud, bombastic, fun comic to read. Besides Keith Giffen returning to his Kirby Klone roots for the series, Dan Didio shows he gets how to write Kirby characters, unlike whoever wrote that Eternals mini a few years ago. There’s a big difference between giving the readers a mystery, and giving them a series of revelations– Kirby did the latter, and Didio brings the same to OMAC while at the same time throwing in giant robot sewer gators. He also uses expository captions in this book! I almost cried when I saw them exhumed, and I may cry again now that I’ve seen this book is among the first on the chopping block of failed New 52 titles. Hopefully Didio and Giffen have a Kamandi book up their sleeves at some point.
Batwoman: As mentioned before, I am breaking my grilled cheese rule for this book. Let it be known that J.H. Williams III made me eat crow with this gorgeous comic. I really like the supernatural angle the series seems to focus on and hope they make it a regular theme; it really separates the series from the gazillion Bat-spinoffs. My only concern is that they keep the book all-ages accessible since it is part of the Bat-family; I don’t see Bruce Wayne in his underwear as much as the protagonist of this series.
Frankenstein, Agent of S.H.A.D.E.: I’ve taken to this book a lot better than Tony, apparently. It delivers for me all the science weirdness and idiosyncrasy I hoped for from Mister Terrific. I was surprised this one survived when OMAC didn’t, so here’s hoping it gets a long, healthy run.
All Star Western: I have a huge pile of books in my pull which the kind folks at the Ogre are being very patient with me for slowly chipping away at week by week. As a result, some titles might wait a while before I get around to picking them up and reading them. All Star Western sat in my pull for four months before I picked it up, and I’m kicking myself for waiting. Love this book, love the characters, love the mystery story, love the atmosphere, love the very simple line work of the art and muted coloring. I wish this were simply a Jonah Hex ongoing, but I’m guessing it will rotate several lead characters and creative teams.
Action Comics: Breaking another of my personal rules here– “avoid Grant Morrison superhero books.” Nevertheless, I’ve always liked comics that reflect the times they were made in, and the writer does a great job of reaching back to Superman’s roots as a depression-era crusader for the everyman and make him part of the 99% of today. Well done, but I expect it will be tough to maintain in the long run. Here’s hoping we don’t get a new world war to recast Superman in a more nationalistic image, anyway. Love the artwork, too– like Superman with a Mort Drucker influence. In a good way.
Superman/Batman/Justice League: Good, shallow, pulpy superhero fun. George Perez writes the densest comic I’ve read since, well, he wrote Wonder Woman. Mostly self-contained episodes, at that. I’m looking forward to Dan Jurgens returning to Superman in the next couple months, also. I’m surprised to be enjoying a Batman comic for the first time since Kelly Jones was drawing it; Batman is a detective again, Bruce Wayne has a role to play, and there is a civilian supporting cast. Good stuff, as long as no one uses the word “incorporated.” As for the Justice League… okay, lightweight story, but I have a soft spot for team books, and some of these characters were introduced better here than in their own books (I’m looking at you, Azzarello). Also, it’s always funny when they occasionally try to make Aquaman seem impressive. Darkseid happens to materialize his base in the ocean, huh? Okay, next issue a bunch of bank robbers try to escape by boat… And the next…
I, Vampire: This one tenuously hangs onto the top tier, as it’s horribly decompressed and the artist is a Jae Lee clone. But I need a horror comic since they decided not to give Swamp Thing the reboot he needs and put John Constantine on a super-team, and it does feature Andy… excuse me, Andrew Bennett in the title role. I’m listing it as an enjoyable read, provisionally.
There are a few the jury is still out on: Batgirl, Swamp Thing, Justice League Dark (which should have been called Night Force, dammit), Flash, all need a little more oomph if they’re going to stay on my reading list more than another month. The first issue of Hawkman didn’t tickle my fancy, but I see my favorite DC villain (I can’t believe I just wrote that), the Gentleman Ghost, will be appearing soon, so I might check back in. As for the duds… Catwoman and Red Hood never appeared on my reading list, so I missed some I apparently would have found outright insulting. Detective was too gory for a superhero book, Wonder Woman and Supergirl were overly decompressed fight scenes which told me nothing about the characters. Men of War was just an all-around failure (seriously, we can’t have a regular war comic set in modern times?). Firestorm was the biggest disappointment, my favorite old DC character recast in a tepid book.
The continuity-lite accessibility of most of these books, coupled with the lower price tag, has actually sucked my comic buying dollar away from most of the Marvel books that would normally have my loyalty. A few gems I’m sticking with: Daredevil has been pure joy, as Mark Waid takes the character back to his pre-Frank Miller laughing swashbuckler days. Frank’s run was great but everyone that followed (Nocenti/Romita Jr. excepted) was just imitation. DD needed a change of pace, and the character is back to being as fun as he was in the Lee/Colan days. I just wish Marcos Martin would settle into a book, any book, for the long haul.
I enjoyed Marvel’s short lived Atlas series enough to follow the creative team over to the Red Hulk’s comic, and was rewarded with a series of very compressed and winding adventure stories with a cosmic scope that hearkened back to the old Tales to Astonish days. I’d put this series in a care package for Kish, believe it or not, even if Red Hulk doesn’t keep T-Bolt Ross’ mustache. The latest plotline, however, was an unnecessarily long 5-parter, so I’m waiting to see if the series’ best days are over. Hopefully not.
Spider-Man: I was hooked on this character when I was five, and only the bad old days of the 1990’s clone story have ever kept me away from the character. This is one I’ll stick with through peaks and valleys, but the post-MJ days have been mostly peaks, and being able to subscribe to the series directly from Marvel for less then $1.50 per issue will keep it on my reading list for a while.
I would enjoy Marvel’s frequent “event” miniseries’ if they didn’t mostly flow from overly long, convoluted storylines in other books. Secret Invasion and Siege suffered from this (the latter I didn’t bother checking out), but Fear Itself I really enjoyed. Great Avengers story with a gazillion defining character moments, my favorite being Cap making a desperate last stand against the forces of evil with a militia of farmers and store clerks whom he deputizes as Avengers. Brought a tear to my eye, that did. If only they didn’t have all the crossovers from that series, especially the ones that immediately followed the “.1” issues that were allegedly designed to attract new readers.
Speaking of brand loyalty… I wrote a few years ago lamenting John Byrne’s work appearing in pro wrestling mags, but he’s rebounded quite well in my eyes. I’d been enjoying his licensed books at IDW (assorted Star Trek series’, Jurassic Park, and particularly the Angel vs. Frankenstein Halloween specials), but this past year he’s revisited his Next Men series and promised a sequel to follow, gave us the Ian Fleming-flavored Cold War spy series, and he even has an original superhero book in the works. That’s a lot of projects in an industry where most artists can’t handle a single monthly. Show those kids how it’s done, JB.
So there, I said some nice things just to prove I’m not a total grouch. I haven’t been visited by three ghosts, though, my heart is still in the same place it was six months ago. I’m well aware that DC has gone five months now without any rape in their stories, and that must be killing them. We’ll see how long they can hold out. Until then, I haven’t liked this many new comics since 1999.





















Thanks, Craig. I feel kind of bad, because it looks like you’re actually reading and enjoying a lot more comics than I am.
Nice write up, Craig. Oh, how I would love a “What Panel’s Reading” feature on the blog. I’m a sucker for pictures of what people buy…consumer voyeurism is my thing i guess.
And kudos to the Ogre for their patience. I too use the “chip away” strategy to managing my pull.
I was really disappointed to see OMAC on the chopping block. I was starting to warm up to that book too. I’ve tried and tried to like Frankenboy, Agent of B.P.R.D….wait, I mean Hellstein, Agent of S.H.A.D.E…wait, I mean. Oh forget it. I flip through it and just reminds me far far too much of another book on the comic stands. Animal Man, which I started in on based purely on Dara posting an image of squirrel testicles, has been unexpectedly fantastic. Lemire is a fantastic new talent.
I give Frankenstein a pass on the Hellboy similarities since the Creature Commandos predate Mignola’s series by about a decade, albeit in a WW2 setting.
I googled Creature Commandos to verify this, and it was suggested that I might also like “going commando.” How did they know?
Frankenstein was created in 1818, so he predates Hellboy by 175 years.
(I’m being facetious. I commented on the similarities in my first writeup. I think they’re working against the comparison by ramping up the action and giving Frank a unique voice, but I do see what you mean.)
“Frankenstein was created in 1818, so he predates Hellboy by 175 years.”
I’ll have to go back and re-read my copy of Shelley’s “Frankenstein.” I’m having a hard time remembering the scenes where he fights Melmoth, Ringmaster of the Circus of Maggots and then goes to Mars through the Erdel Gate.
Well, yes. That’s what makes it a facetious comment.
I know Tony. I was just messing with you. Besides, I thought it was funny to imagine Mary Shelley writing about Melmoth the Ringmaster of the Circus of Maggots.
Y’know, I’ve never read the original Frankenstein. I should do that sometime.
Seems like a lot of love just in the PANEL group for the recently canceled OMAC. It was easily one of my favorite new books as well, and I totally wasn’t expecting that. I mainly picked it up because I love Giffen’s art and the book looked like it might be the least “grim-and-gritty” of the bunch. Ended up loving it. Just pure fun to read and look at the bombastic drawings. And OMACTIVATE? Awesome. You’ll be missed, OMAC.
Craig, your first impression of Hawkman was right, a huge disappointment for me. And soon Liefeld will be “plotting” it. Oy.
Most of the other books on Craig’s list aren’t on my pull, although my brother is picking up Justice League and Blue Bettle, so at some point I’ll read those. Just from flipping through the issues of JL, though, it looks like a horribly decompressed book, which is one of my top peeves.
Speaking of which, that’s also what has me on the fence about Aquaman. I’m liking Johns’ take on Aquaman, though I think sometimes he goes a bit too far with the whole “Aquaman is the laughing stock of the DC Universe, but he’s actually AWESOME” overcompensation. The art, by Ivan Reis, has been consistent and quite gorgeous. Also, he hasn’t needed a fill in artist so far. But sadly, as “cinematic” and pretty as the book looks, it just means the story is slow as molasses. The first story arc across 5 issues could have easily been told, with the same impact, in 3 (IMHO, of course). So we’ll see, I’ll give it a few more issues…
Also, I’ve head nothing but good things about Waid’s Daredevil, so I think it’s time to hunt down the trades.