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The Onion AV Club talked to Batman & Swamp Thing scribe Scott Snyder last week.

Scott Snyder interview

A couple of key quotes:

AVC: Do you adjust your script at all for different artists? I’m thinking primarily during Detective, when you’d have Jock and Francesco Francavilla split issues.

SS: I don’t change the story at all, per se. I do change the emphasis page-to-page. Part of it is trying to figure out the best way to get the story out there and expressed by the artist you’re working with. The thing is, when any run begins, for me, the reason that we’re working with any artist is because they fit the story material hands-down. So Francesco I thought would fit the James Jr. story really well because there’s such an interesting suspense and tension in everything he does. Whereas Jock I thought would be great at making Gotham look unsettling, but also be good for the more kinetic, heroic action sequences. You try and get people you think are going to drive on the street to begin with. I do change the style a little bit, page-to-page, given what I think the artist can bring most to the table, story-wise.

AVC: How closely coordinated are the Batman and Nightwing books?

SS: They’re closely coordinated. We really wanted them to be things that you could read independently and don’t really lean on each other at all. I don’t want people to get the idea that the story playing out in Nightwing is somehow answered in Batman, or visa versa.

He also talks a bit about trying to keep the book new-reader-friendly. It’s a shame this is considered a lost art, but good that they’re thinking about it these days.

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